Everything​ about what the trees taught me

These photographs were taken in different locations in the Beautiful British Columbia. Of course, there were lots of long hikes, but all of them worth the trip. For a year and a half, I have been shooting to the tree’s bark texture of the most impressive and striking trees and this is the result.

Estas fotografías fueron tomadas en diferentes lugares de la Hermosa Columbia Británica; donde simplemente he empezado a adorar cada pequeño detalle de los árboles, -claro, tuvieron que haber muchas caminatas de por medio, pero toda y cada una valieron la pena- durante un año y medio he estado fotografiando la textura de la corteza de los árboles más impresionantes y llamativos de mis recorridos y este es el resultado. Y como diría la Negra…”ésta es mi corteza, donde el hacha golpeará, donde el río secará para callar…”

Finding Inspiration

The last project from 2017 was a photo shoot to a set of drawings from different alive sessions made by architect Fern Marriot.

I photographed and printed them in a smaller format as the real drawings are. Looking at them was a beautiful journey into the lines,  I had a great time while taking the photographs, also when I was setting up tones for printing. With every image that came out from the printer I had to compared it with the real version, and I just started to pay attention to every small detail, every line, every tone, it was like I was recreating those movements in my head, but not the models’ movements, more like seeing the drawings alive.

After I finished the project with Fern I wanted so bad to go back to drawing. I have to confess that I am not good at drawing, anyways I started to draw my own sketches, and even I enjoyed making them there was a little bit of frustration about not getting what I had in my head.

A few weeks later and maybe after overthinking it, I found myself going again to drawing sessions, but still, I couldn’t feel satisfied with the product.

One day I took my dog for a long walk, it was just both of us walking into the forest, a soft wind started to blow, some birds flew from one tall tree to another one. As I was looking up to watch the birds,  that movement of the trees produced by the wind reminded me about Fern’s drawings.

With the drawings in my mind, the idea came out, I looked at my dog and told him: ” I’m going to make my own version of Fern’s drawings in photographs!!”. He looked back at me and made a head movement like not being sure what I was saying. I just took the dog and went back home running to start making my arrangements for a photo shoot. I contacted my friend Angela to be the model, and she liked the idea too.

It took me a few days more to figure it out how to create the movement of the lines from Fern’s drawings, how I’d set up the lights, and what background I’d use. I spent a couple of days more sketching poses and the result of that photo shoot finally satisfied my expectations.

After a while of working on the photographs, I know this is not ‘my own version of Fern’s drawings’, I am totally sure now that it is a set of photographs inspired by Fern’s art.

I have to give big thanks to Fern for allowing me to access to her wonderful world which turned out as a big font of inspiration for me. And thanks to Angela to help this happening.

Dali’s Desert

Dali’s Desert or “El Desierto de Dalí” it is the name given to a desert located in southwestern Bolivia, within the ‘Eduardo Abaroa’ Andean Fauna National Reserve and south of the Chalviri salt flat.

It is located at an average height of 4750 meters above sea level and has an approximate area of 110 km².

It receives the name because people claim it as the most surrealist landscape on Earth, almost like made by the Spanish artist ‘Eugenio Salvador Dalí’.